Singer Searching for the Sweet Spot

Hi there,

I did a recording session for a Grammy Award winning producer recently. He'd heard my voice before hiring me so while I was nervous, I was reasonably confident it would go OK. 

He played me a few songs he'd written and after a while we got to work. The first one was a rocky number and I did my best to give it some. But I could see on his face and hear in my own head that it just sounded...blah. There were no notes I couldn't hit and I was doing my best to channel Joan Jett but it just wasn't happening. Beyonce was looking down at me disapprovingly from the personally signed photo on the wall. No pressure then.

Now sometimes the problem with songs written by one sex for the other is, no matter how much the writers know about music and songwriting, they just don't quite fit the voice for which they're intended. How often have you heard great singers do mediocre performances because the song just doesn't suit them? That's why song choice and key choice is make or break on TV talent shows like The Voice and when you putting that decision in someone else's hands, well, good luck!

We come to grips with the scope of our own ranges as singers but within that cluster of notes I've realised there are those that make my voice soar and others that are just a bit...blah! In other words, there is definitely a sweet spot and if the song doesn't enter into that neighbourhood then maybe that tune's not for me, not in that key at least. So when a band says: 'Well, we do this song in this key,' I think you have the right as a singer to say: 'Do you mind if we do it in my key?' After all, they don't yet make capos for voices. 

Anyway, the second song we recorded at this session went much better. I could see the producer's face relax and could swear I saw Beyonce winking at me. Bet she knows all about the sweet spot.

See you next time.

How to Get on the Radio, Part 1

Hi there,
Having worked with 100s of indie artists through PopTarts, and the independent release of three singles and two albums of my own, I often get asked for advice on what to do with an album once it's recorded. This is the first of a series of blogs that will hopefully give you some ideas. And please add any of your own ideas to the comments - it's all about community!

OK, you've poured your sweat, tears and bank balance into the creation of an original recording. You feel drained yet proud. Now the hard work begins - you actually have to sell the thing!

Radio is an important slice of your promotional pie. If you are a self-funded independent artist, there are still plenty of avenues open to you. Commercial radio in Australia (don't pack up and  move, it's even harder in other countries!) is a very hard nut to crack for everyone, particularly indies. Nothing is impossible though and I will cover the options for commercial radio in another blog. But I wanted to start with something a little easier to achieve.

Community Radio Wants You

I've been a community broadcaster myself (2MCR, 2SER and TVS in Sydney) so I'll start there.

Community radio stations are largely run by volunteers, are not-for-profit and encourage community participation. Part of their charter is actually to promote the local arts - that means you! Community radio stations often have solid, dedicated listener bases and with enough of a groundswell, community radio airplay could even help lead to commercial radio play.

One of your best friends should become the CBAA or the Community Broadcasting Association of Australia - the national body looking after 270+ community radio and TV stations throughout the country.

The CBAA have wonderful government-subsidised programs for indie artists. One is called:

'AMRAP' - CD Mailout


Amrap charges a small fee to distribute ‘radio ready’ CDs by Australian artists to community radio stations around the country. The good folk at Amrap actually listen to your CD and work out which stations are likely to play your style and distribute it accordingly. If you have a hip-hop record you want to promote with a tour through the East Coast, they will send out your CD to only those radio stations in the Eastern states who play hip-hop. Even though you pay a certain amount for this service, it is still cheaper and hugely more efficient than buying the padded bags and sending out CDs yourself. And their contact databases are comprehensive and up-to-date.


I've used this service quite a few times and managed to cultivate some fabulous community radio airplay and contacts as a result. Like anything in this indie game, the more work and time you are willing to put in, the more benefit you get. Amrap give you an invaluable report which includes contact info of all the radio stations to which they've distributed your CD. Use this to follow up!


When hosting and producing my own radio and TV shows I always appreciated artists getting in touch with me personally, keeping me in the loop with their upcoming gigs and releases, being available for phoner or in-person interviews and generally helping me provide interesting content for my shows. Never pester, but definitely get in touch. Community broadcasters are waaaay more accessible than their commercial counterparts. They will probably love hearing from you.

Amrap do mailouts every month but they are no longer a well-kept secret, so get in touch with them in plenty of time before you are ready to promote - they are popular! Their website is here.

Next week: How to get your music on the Digital Catalogue used by Community Radio.